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Swedish symphonic metal legend
THERION
released album
‘Leviathan III’
a review by georgina
re-posted from the metal pit
track-list:
Ninkigal
Ruler of Tamag
An Unsung Lament
Maleficium
Ayahuasca
Baccanale
Midsommarblot
What Was Lost Shall Be Lost No More
Duende
Nummo
Twilight of the Gods
Therion is one of the foremost bands in the symphonic metal scene, and it’s easy to see why.
The group made a huge impact on the genre with its contribution, pushing the envelope and setting the bar higher with its massive wall of sound.
The band emerged in the early 1990s when metal acts were experimenting with incorporating orchestral and symphonic elements into their music.
However, Therion took the concept further by blending metal with classical and operatic elements.
This is something that we kind of take for granted today, and it’s partly due to the impact of this band!
With such a significant background, a new release from Therion is always exciting.
Their upcoming album, ‘Leviathan III’ is yet another chapter in the band’s saga.
Therion is renowned for creating concept albums and ambitious projects that go beyond the typical structure of metal albums, and this is no exception.
This eclectic studio work features 11 tracks, marking the band’s progressive leanings and constant willingness to embrace new challenges while staying true to its aesthetics.
Available through Napalm Records, the album is the third installment in the ‘Leviathan’ trilogy and perhaps the longest and most intense of the three releases.
The sonic variety is truly impressive.
Not only is there room for traditional metal influences and large symphonic sections, but The band also explores unique ideas, such as a the flamenco-tinged melodies of the song ‘Duende’, which are completely unexpected.
The song ‘Twilight Of The Gods’ offers a brooding, doom-infused arrangement, serving as a truly ethereal and raw segment on the album.
Overall, ‘Leviathan III’ denotes Therion’s willingness to evolve and experiment with its sound.
With so many years under its belt, the band doesn’t need to prove anything, but it’s still eager to make steps forward and enhance the creativity of its vision.