SIN OF GOD

track-list:
Blood Bound
Black Waves
No Return
The Unbelief
Diabolical Agitation
Obulus
Cerebral Malfunction

album recorded at: Denevér Hangstúdió, Hungary
mixed and mastered by Sam Winslow/Sam Winslow Music

Sin Of God are:
Krisztián Páncél – bass
Botyánszki Balázs – drums
Tamás Kis – guitars
Tamás Schupkégel – vocals

discography:

2004 Házi Demo Demo
2005 Demo 2005 Demo
2010 Satan Embryo EP
2012 Limbus Full-length
2016 Aenigmata Full-length
2025 Blood Bound Full-length

Metalsucks (Aenigmata – 2016):
“The record is just a killer, full of menacing death metal that doesn’t lean too hard into the old- or new-school sound; think a crossbreed of Book of Black Earth, Deicide, and Fleshgod Apocalypse sans opera, and you’ll have some idea of what these guys are like. Modern death metal fans will love the band’s technicality and production, while classic headbangers will dig their atmosphere and badass riffs. Definitely get into them.”
Extreminal (Aenigmata – 2016):
“‘Aenigmata’ is the band’s latest release, a merciless, destructive Death Metal album in its finest form. Inspired by the occult writings of Alchemy and the dissection of the faith in mankind, the album delivers much darkened and more ferocious sounds than the previous releases. Having a close kinship with bands like Morbid Angel, Immolation, Nile, Behemoth, Krisiun, Dead Congregation and the likes in terms of sonority, the opus is a perfect blending of unilluminated Traditional Death Metal & remorseless Brutal/Technical Death Metal. The 9 tracked album is likely to be embraced by the fans of OSDM & Dark Themed Technical Death Metal.”
KVLT (Aenigmata – 2016):
“The Hungarians from Sin Of God play high-energy death metal, and when their riffs hit our eardrums, you get the impression that Attila himself is leading the wild hordes, leaving behind fields of destruction strewn with the corpses of enemies.”
Metal Kaoz – (Aenigmata – 2016):
“There’s very little to complain about ‘Aenigmata’, it sounds damn good, both from a musical and production perspective. The songs are varied and technical and it took a few spins for the record to settle but that normally is a good thing as it grows for each spin… it’s a solid Death Metal record and with this, I should go easily to it when digging out Brutal music.”

Sin Of God are explaining ‘Blood Bound‘:
“‘Blood Bound’ both lyrically and musically resonates with our present society. We are in decline and we haven’t got much time before we hit the bottom. There is less and less beauty in our present world. We are rapidly marching towards the rotting chaos. People do nothing about it. They destroy but do not build. So let it be!”
‘Blood Bound’:
“A pair of brothers who were separated in their childhood and were tormented, but after getting over their anger, they try to rule together again, but in the end they go crazy.”
‘Black Waves’:
“An apocalyptic world created by the human mind from which there is no escape and the black waves of depression will forever engulf you.”
‘No Return’:
“A person who cannot get rid of drugs and sacrifices everything is going to hell.”
‘The Unbelief’:
“The story of a queen who refused the power of the gods. As punishment, one of the gods cursed her and drove her insane. She even killed her own child for her joy.”
‘Diabolical Agitation’:
“At the temptation of the lord of hell, even the most pure-hearted virgin can join the power of darkness becoming the mistress of hell herself.”
‘Obulus’:
“The hunger for money and its uselessness after death. After all, only the burial coin has value as payment for death.”
‘Cerebral Malfunction’:
“The struggle with schizophrenia, at the end of which the original personality is lost forever and replaced by an evil one.”
Sin Of God tell us about the cover:
“It is metaphorically based on humanity’s current state in the light of human history. We wanted it to be realized in the style of Renaissance paintings therefore the contrast is extremely sharp between beauty and uglyness. Pure and evil. Perfect and deformed. Obviously, there are religious references, and Biblical characters, too.”
In the spring of 2004, the band was born.
“After a few small concerts and recorded demos, we prepared the ‘Satan Embryo’ EP in 2009, with which we were able to step up and do many foreign concerts. In ancient times, Sin Of God performed together in a concert series with the band Farcry. After the performance, a guy came up to us and said: ‘We came here with our band to laugh at you guys, we thought you were crap but you put on such a brutally good show!’ This arrogant guy was Tamás Kis, the current guitarist of Sin Of God. Well, yes, we conquer everything and everyone! In 2012, our first album, entitled Limbus was released. There were many concerts to come with big names and we were able to play at prestigious festivals abroad. ‘Aenigmata’ was published in 2016, which brought another step up. When recording ‘Aenigmata’, one of the members at the time had a definite idea about the guitar sound. ‘It has to be raw and muddy!’ – he said. The only problem was that everyone else thought the guitars sounded like crap that way. Since he had a reputation for being rather sudden in nature, we had to devise some ruse instead of open confrontation. We tricked our man into the pastry shop and had a good time while the guitarist secretly re-recorded the guitar tracks in the studio. By the time we got back, all the tracks had been replaced. Do you think he noticed the change? Let’s just say that the new guitars can be heard on the album. It recieved highly positive reviews from all over the world. After tours and foreign festivals, we started writing the third album, however, the process stopped due to member changes. We started working on ‘Blood Bound’ in 2019 with the new members, but due to Covid, the goal could only be to write the album, but there were no point in playing concerts. This led to member changes again. We finally were able to record our new full-length, ‘Blood Bound’ in 2022-23. The mixing and mastering processes were done in 2024 by the super-talented Sam Winslow. The outcome is a blast! We are ready to show the world what creative death metal is!”