SYMBIOTIC GROWTH

track-list:
Of Painted Skies and Dancing Lights
Spires Of The Boundless Sunset
The Architect Of Annihilation
The Sleepless Void
Arid Trials and Barren Sands
Lost in Fractured Reveries
Trading Thoughts For Sleep

mixed and mastered by Tom Maclean of Twelve Tone Studio

Symbiotic Growth are:
Aaron Barriault – vocals, guitar, bass
Devin Mcqueen – vocals, guitar
Dan Favot – drums

discography:

Black Metal Archive 5/5:
“‘Beyond The Sleepless Aether’ is heavy as a herd of elephants wearing armour, jumping up and down on your head for the rest of time. It is utterly relentless, yet interspersed with moments of such musical beauty that your soul will ache to the point of breaking. I cannot praise this album highly enough as it is fucking perfect in every single way, and if you have ever taken anything I have ever written to heart then know this. You… yes, you reading this… you need this fucking album in your life in the way that you need breathing.”
PowerMetal.de 10/10:
“There are an immense number of individual components that deserve special attention on ‘Beyond The Sleepless Aether’. The rhythm work is exemplary, the stubborn use of background keys in the context of a mostly dissonant sound sets standards, the vocals are one of the absolute pieces of jewelry anyway, and what is ultimately ignited in the lead guitars is no longer from this world: soulful playing, virtuoso descents, crunchy sawing. Everything that could contribute to the mutual mood is really taken into account here, of course also at a technically brilliant level.”
Metal Storm:
“…this record (‘Beyond The Sleepless Aether’) is a delight to listen to, and an early contender in what is traditionally one of the most competitive metal niches out there.”
Heavy Blog Is Heavy:
“Canada’s Symbiotic Growth came in clutch with their fantastic new record ‘Beyond the Sleepless Aether’. Enslaved are an immediate touchstone — so much so that I’m sure the main riff to ‘Spires Of The Boundless Sunset’ sounds like a specific latter – day song of theirs that i can’t quite place. As the album develops, however, ‘Ne Obliviscaris’ become a more obvious point of comparison, with the songs expanding into ever more extravagant and elongated arrangements as the album goes on. As with ‘NeO’, the longer, postier passages do drag on a bit, but there’s always a pummeling riff or cathartic melody waiting around the corner to bring the energy back up again, and the band is granted an extra tech-death tinge, thanks to the ferocious efforts drummer Dan Favot of Fractal Generator…”
The Progressive Subway:
“Glimmers of brilliance, particularly in the epics and performances, shine through across the record, untouched by occasional patches of off cleans and songs that stick to their guns a little too tightly. As a result, Symbiotic Growth have made a fine record, and one that shows an incredible amount of maturity and growth from their debut. In just a few years, they’ve leveled themselves up a considerable amount, and perhaps the symbiotic relationship between this reviewer and these musicians will help their growth into something special.”
Progressor:
“…a solid and high quality example of extreme progressive metal that deserves attention…”
World Of Metal Magazine:
“Canada is always that country that always gives us some unexpected gems of extreme music. Symbiotic Growth is the latest revelation. This debut album brings us a fantastic balance between the extreme aspect of death metal and progressive metal.”
No Clean Singing:
“Symbiotic Growth‘s songs are significant hybrids, but their incorporation of differing influences works very well because they’re such adept songwriters and skilled performers.”

Canadian progressive black unit Symbiotic Growth released their sophomore album ‘Beyond The Sleepless Aether‘.
“Symbiotics Growth’s first album was released just as Covid hit and went into all the lockdowns. We were never able to tour around our first album, so we went straight into the writing of ‘Beyond The Sleepless Aether’.”
Similar to the band’s predecessor, their 2020 self-titled full-length, ‘Beyond The Sleepless Aether‘, is once again based in fiction and is lyrically conceptual, but dives more into thoughts and emotions of everyday life, and sometimes those thoughts are hard to deal with.
Like the last album, this one is once again based in fiction and is lyrically conceptual, but dives more into more thoughts and emotions of everyday life, and sometimes those thoughts are hard to deal with.
Every song has its own identity and its place within the story, taking our protagonist through the multiverse, placing him in places like dark wooded forests, wide open desert landscapes, and the unending cosmos.
“I feel like this time around, the sound is a bit darker and experimental, with more synth-heavy sounds and a melancholy atmosphere. The lyrics were very loosely inspired by a dream I (Aaron) had about the multiverse theory intertwined with some of my challenges of dealing with a sense of being and why we are all here,”
says Aaron Barriault (Vocals, Guitar, Bass).
Progressive, experimental, foreboding, and emotional, every song has its own identity and its place within the album’s story, taking its protagonist through the multiverse, placing him in places like dark wooded forests, wide open desert landscapes, and the unending cosmos.
The full-length listening experience tackles strong topics of loneliness, a sense of being, self-hatred, and suicide.
Some of these are blatant and easy to see, and others subtly, throughout the course of the album, lyrically and musically.
“I think the fans who have heard our previous album may be a bit surprised; the sound of this album is a bit different; it’s a little bit more experimental in its own way. Either way, we hope that fans enjoy what we’ve created. I feel like the listener may have feelings of uneasiness and wonder. An odd combination, but I feel like it’s fitting.”
“The concept of the album was actually loosely based on a dream that I (Aaron) had where I was standing in my bedroom at home one minute, and then a giant flash of light struck, and almost like a switch being flipped I was in a totally different place but while Ive never seen this place before I knew it as if it was my own home, feeling like it was my home in another reality.”
Mixed and mastered by Tom Maclean (Twelve Tone Studio, Haken, Athemon, Brutta), ‘Beyond The Sleepless Aether‘, features seven paryalzing sounds of technical metal created by the Sudbury, ON recording line up of Aaron Barriault (Vocals, Guitar, Bass), Devin Mcqueen (Vocals, Guitar), and Dan Favot (Drums)(ex-Wolven Ancestry, ex-Fractal Generator).
The artwork was created by Erskine Designs and shows an entity standing at the foot of what the band likes to think of as Azathoth.
“The album doesn’t touch on any Lovecraftian mythos (maybe a bit in ‘The Sleepless Void’), but the lore behind Azathoth, that we are all in his dream and once he wakes everything will cease to be, is very fitting to the album lyrically,”
adds Barriault.
‘Of Painted Skies And Dancing Lights’:
“‘Of Painted Skies And Dancing Lights’ lyrically starts our journey with the protagonist of our story standing in the forest, staring up at the night sky, taking in the beauty that is the northern lights, and reflecting on life and what may be beyond it. All the while, the music helps to build the scenery sonically with a repetitive theme that keeps building into an eventual release that breaks into more intense passages that coincide with his reflection of life.”
‘Spires Of The Boundless Sunset’:
“This song takes us to a different reality where he surprisingly finds himself upon an old church, abandoned long ago, where nature has started to reclaim its rightful place, wondering how he arrived at such a place, with everything feeling different but somehow the same. He then starts to see what’s happening and how he was transported there. The rhythmic pacing interweaved with the choir-like synth of the intro/verse riff builds on the wonder of the new environment that he’s arrived in. The rest of the song continues to build on that wonder and curiosity with more laid-back chordy parts, letting the bass parts do more of the heavy lifting melodically.”
‘The Architect Of Annihilation’:
“‘The Architect Of Annihilation’ lets more of Devin’s clean vocals shine by taking a more upfront approach in our techier track on the album. The riff-heavy song features a lot call and response type vocals between Aaron and Devin, giving more variety to an already well-versed song. As the longest song on the album, it has more of a story to tell lyrically, taking heavy inspiration from the movie ‘Princess Mononoke’. We find ourselves in a world where industry is taking over and destroying all of nature in its wake. He sees this all in what he perceives to be a dream, only to find out that it has all happened before and that what he experienced is a warning for the future.”
‘The Sleepless Void’:
“‘The Sleepless Void’ is the darkest, most brooding song on the album not only musicaly but also lyrically. This time our protagonist finds himself in land where all things ‘horror’ live and thrive, he encounters everything from warewolves, vampires, creepy little ‘ring’ girls, to Azathoth himself. In around this part of the story our protagonist starts to get tired and weary of all these changing landscapes, wishing it all to end.”
‘Arid Trials And Barren Sands’:
“‘Arid Trials And Barren Sands’ is a sludgier start to the song takes us to a desert landscape where, water is a scarcity and the extreme heat leaves our protagonist delirous and unsure of everything thats happening. Is he seeing all his different lives through the multiverse because he’s supposed to be some kind of savior, or does any of it even matter? The music lends itself to the lyrics like sounds incorporating leads with mirage-like tremolo effects and some ‘larger than life’ choruses helping to build his thoughts of grandeur.”
‘Lost In Fractured Reveries’:
“‘Lost In Fractured Reveries’ On the last stop through his journey on the prog-iest song on the album he finds himself floating within the cosmos, seeing all of time and every universe being woven together like a web, contemplating his entire existance, whether he ever even mattered in any time or in any universe. The jumping time signatures and tempo changes lend a hand to the uncertainty that feels within the song.”
‘Trading Thoughts For Sleep’:
“‘Trading Thoughts For Sleep’ slows everything down and turns up the melancholy. An in-depth view of how our protagonist feels after everything he’s experienced, his struggle with finding meaning in life, his place in everything and the anxiety of it all. The feeling that if he were no longer around nothing would change and things would just move on, and the relief it would bring him to no longer feel that way.”
Recommended for fans of Ne Oblivisacaris, Der Weg Einer Freiheit, Cor Scorpii, and Gojira.
“Dan and Aaron live over an hour away from each other with Devin in the middle and with Guitars, bass and vocals being recorded at Aarons and drums at Dans, the recording process for our respective parts were done mostly alone, we would send files back and forth after we would finish recording our parts so we could review them to make the final cut.”