PROPHETS OF ADDICTION

track-list:
Flavor of the Danger
Let’s Get High
Slippin’ Away
Walk the World
Maggie May
Superhero
I Want You to Know
Hollywood
Wasted Tears
Last One in the Bar
Take Me to Your Leader

Prophets Of Addiction are:
Lesli Sanders – lead vocals, guitars
Phil Soussan – bass, piano, mandolin, percussion, backing vocals
Wayne Stokely – drums, backing vocals
Tchad Drats – guitar, ebow, backing vocals
G.G. – guitar, backing vocals
Terry Bratsch – acoustic guitar, electric steel, backing vocals

Metal Sludge:
“Prophets Of Addiction is a modern day Hanoi Rocks meets The 69 Eyes with plenty of Pop hooks and Whisky drenched vocals.”
J.B. Frank, Kingdom Come:
“These Lads have an American Smash hit in their laps… I’ve always enjoyed Lesli’s songwriting he’s truly a expressive spirit.”
Sleaze Roxx:
“So if, like me, you are a huge fan of the Dogs D’Amour/Erotics/Quireboys style of sleazy story-telling, then you will find this fine selection of songs from the underbelly of life, absolutely essential.”
Sentinel Daily:
“Pound-for-pound, front-to-back, it contains more high quality riffage in one space.”
Rough Edge:
“It’s 70s glam/punk music with a modern spin, both production-wise and talent-wise, raw guitars, bouncing rhythms and lyrics that often actually mean something.”
Mayhem Rockstar Magazine:
“A record that will appeal to many guitar rock purists.”

West Coast based glam, punk ‘n’ rollers PROPHETS OF ADDICTION just released the new music video for the track ‘Let’s Get High’ from their new album ‘Face the Music’ through BraveWords Records.
The video was premiered by Sleaze Roxx and is now available worldwide.
Lead singer Lesli Sanders shares the story of the song and video,
“We are all looking for a ‘high’, although the term is often associated with drug use; in reality, it is most often not the case. In this case, the topic of the song as I was penning the lyrics was a reflection back into time of the excitement that surrounded a new release from a favorite band of mine. It was the effort put into not only purchasing the record, saving up money doing odd jobs, or whatever, as money was never handed to me; it had to be earned. Then I knew I had to be at the record store in a timely fashion as it could sell out real quickly; maybe the particular mom and pop record store only would have 6 copies? I would get there by any means necessary, which usually meant my bicycle. Then the race was on, and after purchasing that record, I would hightail it home to throw that thing on the turntable with an excitement rarely found in this now world of instant gratification. I mean, this was an accumulation of weeks, if not months, of preparation. Once that music was blasting, shaking the house much to my mom’s dismay, it was time to double-task, as I would listen to every nuance all the while scouring the artwork, credits, and photos. It was a time of great excitement and a good ‘HIGH’.”