FALLSTAF

track-list:
Sunless Friday
Ode to the Dead
Battered Soul
Kings of the West Side
Under the Same Sky
Bastard Son
The Burden

songs written by Ian Lavoie, Kevin Jardine
produced, mixed and mastered by Kevin Jardine

Fallstaf are:
Simm – guitars
Rickk – horns
Iann – vocals
Goyy – bass
Matt – drums

discography:

THE ÜBER RÖCK SINGLES CLUB DAILY PICK – FALLSTAF (2025):
“These ‘brass metal’ pioneers – perhaps the only band in the world to feature a masked trombone player AND a frontman with a robotic leg – may be singing an #OdeToTheDead but they prove they are very much alive and kicking with their first new music in 15 years.”
Metal Underground (2011 – Bastard Sons of a Pure Breed – LP):
“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone”
Music Waves (2011 – Bastard Sons of a Pure Breed – LP):
“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining”
Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP):
“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere“
A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP):
“Looking for a Different Sort of Metal? Try FALLSTAF”

“We’re just excited to share our new album with the world. We can’t wait to play shows again and have fun. We didn’t make this album to tour the world or to impress anyone. The idea came from wanting to make music out of friendship; we are all friends in the band, music is therapeutic, it brings people together, metal brings people together, and we missed that energy. We believe people will notice our evolution, and what a pleasure it is to work with Kevin Jardine again! Stay Tuned!!”
The new album from Canada’s Fallstaf are dark stories on a groovy, brass, and heavy note.
Iann comments on each song of the new album:
‘SUNLESS FRIDAY’:
“‘Sunless Friday’ tells the story of my accident that happened on a Friday afternoon. The music reflects this cold gray day well, especially with the beginning and the trombone that screams.”
‘ODE TO THE DEAD’:
“This track is a tribute to the deceased; they are no longer physically here, but they are always in our thoughts, which is the reason for the phrase ‘they walk among us’. The riff of the chorus gave rise to the rest of the song.”
‘BATTERED SOUL’:
“‘Battered Soul’ talks about a guy who committed suicide, the pain of living, abandonment, depression, and indifference. The song was much faster before going into the studio, but it still had the ending in decrescendo; we wanted a heavier song with more sludge metal sounds.”
‘KINGS OF THE WEST SIDE’:
“We’re from the southwest of Montreal, where there have been several clan wars, the Irish mafia, the Italian mafia, the French-Canadian mafia, and the bikers. It’s a song about organized crime and allegiance to a gang. The music comes from an old song that was never recorded.”
‘UNDER THE SAME SKY’:
“This song talks about the world we live in, about the people, the conflicts in all countries, and the leaders. The world is vast, but there is only one sky. For the music, we started with the chorus; we wanted a sludge metal chorus. I am a big fan of Corrosion Of Conformity and Pepper Keenan’s style. In the verses, I wanted a higher voice.”
‘BASTARD SON’:
“This is about a man who walked in the footsteps of his father, who was a hitman, and talks to his own son about not following in his footsteps. SIMM composed this riff (gallop) that fit perfectly with the song’s theme. We added gang vocals on top, then we wanted a more thrash metal chorus.”
‘THE BURDEN’:
“‘The Burden’ talks about the burden of cancer, which affects all aspects of life. I lost my parents to cancer, and group members have also lost loved ones to this disease. We have all experienced the ups and downs, the treatments, the hopes, and the relapses. I saw my father suffer; for him and for us, dying was a release. It’s an oppressive, dark music, with a bridge that surprises with its speed, and a melancholic, melodic ending that signifies the release from suffering.”
And Iann continues about the album artwork:
“I wanted to create a cover that wasn’t too macabre after all. I took this photo of the skull and layered it multiple times with different colors; the skull represented the album title well and our sound, which is not dark musically but dark in the lyrics.”
The first single taken from this new album is ‘Ode to the Dead‘.
Born from the ashes of Montreal’s alternative outfit North East Bistro, Fallstaf emerged in 2009 with a bold vision:
to fuse the raw power of metal with the unexpected punch of brass.
What began as a riff experiment among longtime friends quickly evolved into a genre-defying force.
By 2011, their debut album ‘Bastard Son of a Pure Breed‘, produced by Kevin Jardine (Slaves On Dope), had carved their name into the local scene, earning them the title of ‘pioneers of brass metal‘.
With a trombone front and center, Fallstaf’s sound was as unconventional as it was unforgettable, groove-heavy, progressive, and fiercely experimental.
From 2009 to 2015, the band toured extensively across Quebec, captivating audiences with their explosive live shows, signature suits and ties, and a masked brass player who defied every expectation.
But in 2016, tragedy struck.
Frontman IANN suffered a near-fatal accident that left him in a coma, cost him his leg, and forced the band into silence.
Eight years later, the silence broke.
In 2024, Fallstaf reunited, reigniting their creative fire and returning to the studio with Jardine to craft their long-awaited second album, ‘Ode to The Dead‘, set for release in Fall 2025.
The record is a cathartic journey through grief, survival, and rebirth, an autobiographical and story-driven collection of tracks that explore death in its many forms, from personal loss to societal decay.
With songs like ‘Sunless Friday‘, ‘Battered Soul‘, and ‘The Burden‘, the album balances lyrical darkness with groovy, brass-laced heaviness, showcasing the band’s evolution in both sound and spirit.
Fallstaf’s music draws influence from groove metal, prog metal, metalcore, and hardcore, echoing the intensity of Pantera and Hatebreed while channeling the brass-infused chaos of Shining and Mighty Mighty Bosstones.
Their sound has matured, more melodic, more complex, and more emotionally resonant, yet their core remains unchanged: a love for metal, a bond of friendship, and a passion for performance.
Live, Fallstaf is a spectacle.
With IANN’s robotic leg, a masked trombonist, and a wall of sound that obliterates expectations, they’re not just a band, they’re an experience.
“Every time we step on stage, people are skeptical, with our suits and ties, a masked trombonist, the world thinks we are a ska band. As soon as the first chord is played, people see that we kick ass.”
And while they may not be chasing fame or world tours, their return is a testament to resilience, creativity, and the healing power of music.
Fallstaf is back. Louder, wiser, and ready to kick ass.