THEM

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metal act
THEM
will release in October
their new album ‘Fear City’

track-list:
Excito
Flight of the Concorde
Welcome To Fear City
Retro 54
An Ear For the Action
Graffiti Park
191st Street
Home Stretch
The Crossing of Hellgate Bridge
Death on the Downtown Metro
Stay Tuned…
A Most Violent Year
The Deconsecrated House of Sin
In the 11th Hour

to watch the video-clip ‘Welcome To Fear City’, please click play…

THEM are:
KK Fossor – vocals
Markus Johansson – guitars
Markus Ullrich – guitars
Steve Bolognese – drums
Richie Seibel – keyboards
Alexander Palma – bass
pics are copyright Steamhammer/Them

Them will release on october the 28th 2022, via steamhammer/spv their new album ‘Fear City’.
It will be available as a cd digi pack and as green/black vinyl LP with a printed inner sleeve.
By way of explanation:
New York City was often referred to as ‘Fear City’ in the early 1980s.
At that time, illegal prostitution, protection rackets and drug trafficking thrived in the city which was notorious for its high crime and violence rates.
For international power metal band Them the perfect setting for the continuation of their trilogy surrounding main protagonist KK Fossor.
What was set in the 19th century on their first three album releases, ‘Sweet Hollow’ (2016), ‘Manor Of The Se7en Gables’ (2018) and ‘Return To Hemmersmoor’ (2020), is continued on ‘Fear City’, albeit with a 120-year time shift and the descendants of the original characters.
Markus Ullrich, the band’s German guitarist and creative mastermind explains:
“In a nutshell: KK Fossor is trying to find the descendant of the Witchhunter, who works as a televangelist under the name of Peter Thompson in 1981 New York.”
Already there has been released one single/video ‘Welcome To Fear City’.
‘Retro 54’ is set to follow on 30 September 2022.
The third single/video, ‘Graffiti Park’, will probably be released simultaneously with the album or immediately afterwards.
This exciting mélange of horror and fantasy story is flanked by the usual dynamic songs, a hybrid of raw metal riffs, complex and frequently fast-paced grooves and surprisingly catchy chorus parts.
Markus Ullrich:
“This is a special feature with Them: We play hard, technically accomplished guitar parts, combined with a solid basic toughness, yet we don’t just bark out the chorus, but sing it very melodically. Some songs on ‘Fear City’ are even heavier than expected, you could say: They really let rip! But our singer is fantastic and our songs make purposeful forays into a wide range of different stylistic directions.”
Ullrich is referring to typical Them numbers such as the opener ‘Flight Of The Concorde’, the above-mentioned first single ‘Welcome To Fear City’ and even a slightly slower track such as ‘The Crossing Of Hellgate Bridge’ with its wonderfully elegiacal atmosphere.
At the same time, ‘Fear City’ holds a number of unexpected elements in store:
‘191st Street’ features classic progressive metal, the verse on ‘Graffiti Park’ has a dark doom part, ‘The Deconsecrated House Of Sin’ starts with a classic black metal riff, and ‘Death On The Downtown Metro’ surprises with blast beats.
Ullrich:
“I’m especially proud of the final track ‘In The 11th Hour’ with its atmospheric intro and sustained, epic doom metal vibe.”
Speaking of atmosphere:
As usual, ‘Fear City’ succeeds in transporting its listeners to a different, fictional world, in this case the year 1981.
“We’ve deliberately included keyboard sounds, little radio play snippets and cross-references to the 1980s,”
explains Ullrich, who has first-rate musicians by his side, namely vocalist KK Fossor, guitarist Markus Johansson (Sylencer, 4ARM), bassist Alexander Palma and keyboardist Richie Seibel (Lanfear, Ivanhoe), and only had to enlist a new drummer in Steve Bolognese (ex-Witherfall, Into Eternity) due to the lockdown caused by the pandemic.
As on the previous albums, American sound mastermind Dave Otero was in charge of the mix and drum recordings at his Flatline Audio studio in Denver, Colorado.
Last but not least comes the not entirely insignificant question:
Is the new concept album ‘Fear City’, like ‘Sweet Hollow’, the prelude to a story that will be continued in several instalments?
Ullrich:
“Everything’s possible, nothing is carved in stone. The end of the story leaves lots of options. And that’s precisely what makes our new album so exciting right down to the very last note!”

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