KING OV WYRMS

track-list:
In Aeons We Spoke
Grave Ov Birth
Sulphur
Desolation Fog
To March From Darkness
Illusory Veil
Sightless Vision
What Time Has Wrought

All Songs Written by Michael Oneirous Sanchez
Produced By Michael Oneirous Sanchez
Mixed By Michael Oneirous Sanchez
Mastered By Michael Oneirous Sanchez

King Ov Wyrms are:
Michael Oneirous Sanchez – vocals, guitars, bass (studio)
Ricky Williams – drums
Derrek Page – Session Bassist on tracks 3. 4, and 5

Discography:
2023 – The Womb Ov Borealis
2020 – Lord Ov Thornes

No Clean Singing:
“Fury does indeed radiate from the music in violent waves. The song (Thorne Bearer) takes flight through rapid-fire drum battery and deep, dismal, heaving tremolo’d riffing that climbs and flares in manifestations of madness and misery, and squalls in blasts of vicious, mauling cruelty. Sanchez contributes his own vocals to the melee, venting horrid growls and scorching screams, which add to the music’s enraged and ferocious striking power. The song’s urgent pace never relents, but the drum patterns morph, as do the riffs, which feverishly squirm and flail as well as jolt and jar in savage, pulsing fashion. The jet-fueled energy and barbarous intensity of the music are both intense and captivating, and they’re joined in the red zone by sensations of rage and maniacal menace.”
The Circle Pit:
“some beautiful, new extremity from King Ov Wyrms! Be on the lookout for their forthcoming album ‘Lord Ov Thornes'”
Lambgoat:
“King Ov Wyrms provide an unrelenting onslaught of classic death/black metal that should appeal to fans of Morbid Angel, Bloodbath, and Vader.”
The Metal Crypt:
“Some pretty savage blackened death metal here. ‘Lord ov Thornes’ is one of those albums that starts at full speed and doesn’t slow down much, if at all. Take 51 minutes of that and call me in the morning… If you’re at all a fan of very fast and heavy black and death metal and have been looking for a new band that does it well, King of Wyrms just delivered the goods for you.”
Games, Brrraaains & A Head-Banging Life:
“‘Lord Ov Thornes’ is a sickening effort that blazes with satanic and ritualistic power. Marvel in horror at what is crafted here, beginning with the unforgiving ‘Threnody’ and the sheer brutality of ‘The Great Sleeper’. Within the first two tracks, it’s abundantly clear what we have here is something dredged from a well situated in hell.”
Metal Temple:
“‘Lord Ov Thornes’, the debut album by KING OV WYRMS, a worthy contender in the late year heralding the cold and darkness that is coming for us. The man has left nothing to chance, electing to fill every position himself on both sides of the studio glass, and the end result is a consistent and thought-out fifty-one minutes of solid metal.”
Scream Blast Repeat:
“it deserves a place on your playlist if you like your music heavy, malevolent and underpinned by Lovecraftian themes.”
Permafrost Today:
“Nothing short of an aural assault of pure mayhem……”
Metal Bulletin:
“King Ov Wyrms is blasting brutal death loaded with lots of black metal riffs and dual growl/shriek vocals, with a death/brutal production. Press ‘play’ and watch this thing launch into linear relentless attacks of brutality over and over for the duration. It is almost totally nonstop blasting, energetic, superfast extremity only for the true love-it-all fanatics.”
Noizze UK:
“King Ov Wyrms sees Sanchez present a straightforward, ruthless, rampaging festival of hard hitting, heavy riffs encased in a thick, apocalyptic atmosphere. Embodying the spirit of the classic late eighties and early nineties acts with a new, modern aggression… From the album’s cataclysmic opening with ‘Threnody’ to its closing dissonant chord found in ‘Ascendance Of A Continual One’ which echoes into the back void, this is a straightforward blackened death metal album that is out to take the scene by the throat.”

Michael Oneirous Sanchez:
“I believe the new album will be a bit of a step away from the first album ‘Lord Ov Thornes’ where we tried to emulate what inspired us, this time we tried to go totally blind into our own musical talents with little to no inspiration but rather just delivering something more of our own. This album will really solidify us as a contending act in modern death and black metal by giving us an identity all our own. We want to introduce the listener to a ‘new’ King Ov Wyrms, we want to show what we can create when we aren’t trying to stick to typical genre ideas and explore what we can create with our different backgrounds. Overall, we feel this album is a massive step forward, we have taken on a more diverse writing style and approach to the material. We almost have taken a more progressive approach to the material while trying to stay near our Death and Black metal roots.”
“This album is almost like the first ‘real’ King album’ ‘Lord Ov Thornes’ was really just me finding an outlet to worship the metal I grew up with which led to a lot of people wanting the songs to be more ‘original’. Ultimately this is the culmination of that drive to fill that want, this is the first ‘real’ King album delivering a new approach to how we present ourselves and our music. This album will definitely open us up to a whole new fan base and I feel our original fans will be even happier to hear what we have developed over the years and what they will surely see more of in the future.”
Ricky Williams:
“Lyrically as a whole the album is definitely a new approach for me, this material felt like it was mostly taken from Oneirous’s knowledge of the occult which was a new experience for me personally working with a band. Musically this has to be the best I’ve felt working in a band which should reflect to the listener, the material was definitely more technical and what I’ve been searching for amongst previous projects.”
‘In Aeons We Spoke’:
“In Aeons is definitely the ‘attention grabber’ of the album, it really sets the mood for the whole album with its lyrics setting a haunting mood and the instruments going in full force letting you know what this album is gonna give you straight from the beginning.”
“‘In Aeons We Spoke’ is essentially the Title track for us, it’s by far the biggest embodiment of the album and a great entryway into what’s about to come. The track starts out with the haunting bellowing sounds of otherwordly entities while we creep in with our instruments to set the stage for the horror we are trying to bring forth. We decided to take a chance this time around and make a music video actually featuring us performing the song even though we are primarily a studio project without a performing lineup which is why there isn’t a bassist present or any other guitarist accompanying me. Regardless of the fact I think the physical presence of myself and Ricky ushering in this new form of King Ov Wyrms is very much needed. We have rebirthed ourselves in the fires of chaos and come out even stronger than before with new drive and fervor.”
‘Grave Ov Birth’:
“Grave is a straight-to-the-point aural assault. The riff hits first and upfront while being pushed even harder by Ricky’s relentless blast beats. Lyrically the concept is just a small tie-in to the ever-looming concept of death and rebirth brought up throughout the album and of course the title.”
‘Sulphur’:
“‘Sulphur’ has to be potentially the closest we get to our ‘old’ sound but it still contains our own spin on things. The furiousity of the instrumentation is supposed to give more weight to the satanic-charged lyrics opening up to a provoking chorus line of devotion to the left-hand path.”
‘Desolation Fog’:
“Noticeably this track is a heavy trudge through grim dark waters, The dragging guitars and swinging drums take you through a walk through an ever-looming fog of decay which all gives way to.”
“‘Desolation Fog’ is a track we just knew we had to present before the full album comes out, it features some of my favorite lyrics off of the album, and accompanied by the imagery presented in the Lyric video it was a perfect match. Sonically this song is unrelenting and just so damn heavy, it catches you with the swinging groove and really locks you in before Ricky amps it up with savage blast beats and his intense footwork.”
‘To March From Darkness’:
“March was one of the first songs written for this album which is why it features our session bassist Derrek Page who really brought something intense to the performance. This track was potentially the first song that featured more than just myself on guitars which really shows how much of an improvement the songs underwent with the addition of Ricky and Derrek (temporarily).”
“‘To March From Darkness’ is a prime example of what we have done to evolve from our previous approach and sound which was found on ‘Lord Ov Thornes’. This had to be the first song recorded that featured as close to a full lineup as we have ever had with myself on vocals and guitars, Ricky on drums, and Derrek Page who filled in on Bass for us for 3 tracks before we ultimately had to finish without him. The contributions from both Ricky and Derrek really made this track a dominant force off of the album featuring some insane bass work and of course Ricky’s signature ‘no holds barred’ drumming which really let me open up more as a guitarist and vocalist compared to previous efforts. Needless to say, the evolution leading to new members involved with this project really shows in the songwriting and how far we have come for this project.”
‘Illusory Veil’:
“Most of the lyrical content of this album derives heavily from my interest in occult magick and other ‘World’ studies, To much detail I won’t go into but those who are familiar might appreciate the themes and imagery brought forth across this work. Musically we tried to give ourselves a push-and-pull vibe to retain our extreme approach to music while keeping some sense of uncharted territory.”
‘Sightless Vision’:
“For anyone that hasn’t already figured out by now we are pretty big fans of Lovecraft and the whole concept of cosmic horror. Lyrically I’ve taken on much more of a ‘storyteller’ role this time around almost taking point to narrate a horror story in numerous ways across this entire album. Musically this features one of my favorite guitar lines which is almost entirely arpeggiated chords but slurred giving it a very unique feeling to the lyrics being displayed over Ricky’s ferocious drum display.”
‘What Time Has Wrought’:
“There is almost an ever-growing concept I’ve had where I feel the last track on any album should really be the big magnum opus or longest, most diverse example of the album to really push the whole project out on a bang. Needless to say this idea has led to this track being the longest song I’ve ever recorded and living up to be a spiritual sequel to ‘Ascendance Of A Continual One’ off of our first album. Most notably this song features a lot more acoustic work mixed in compared to the rest of the album but the development of the overall song is really pushed forward by Ricky’s ability to mix in his different styles and complement even the more subtle parts with creative movement.”
Once again the development of the album was entirely managed within the band from the writing, recording, mixing, mastering and overall engineering work being taken care of by Michael Oneirous Sanchez in his personal studio.
King Ov Wyrms was featured in the Tucson, Az Army Man Project put together by Rudy Flores which features numerous artists and artisans representing Tucson in arts and culture brought to life as an army man figurine.
This album is the first time the band has ever been presented as a full lineup. Michael Oneirous Sanchez performed all vocals and guitars along with the majority of the studio Bass tracks, Ricky Williams performed all of the drums and percussion, Derrek Page was brought into the band temporarily to help write and take some of the bass work which he did under session work on three tracks.
Oneirous and Ricky Williams have a long history of about 10 years before they ever got around to working together. They started out as two separate bands sharing a studio, ultimately Oneirous assisted them with pre-production on several albums. Now 10 years later they are producing albums together under the banner of King Ov Wyrms.
Ricky was initially offered a spot to record drums and join the band for the debut album Lord Ov Thornes but unfortunately, due to time constraints and lack of availability, it didn’t happen.
King Ov Wyrms first began as an homage to classic death and black metal acts of the late ’80s/early ’90s with a touch of modern aggression.
Formed in Tucson, AZ. King came from the want of a more aggressive act when the main band of Michael Sanchez, Pain Patterns, started taking its roots in early 2015.
He loved the music he was creating but felt that the band couldn’t fulfill his desire for a purely aggressive musical venture.
The project went through many different lineup changes only to be consistently held together by Sanchez.
Having studied classical music and jazz to a degree while growing up, it gave him the tools to write comfortably on his own even in the concept of metal music.
He starts out with a basic riff or a small melody line off of a piano and just adds on and on until it manifests into some sort of abomination of sound.
In early 2020 upon Sanchez’s departure from the power metal act Judicator, he decided to pull King of Wyrms out of hiatus but only as a solo effort to produce a full-length album.
Over the span of several months, Sanchez was able to completely record all of the songs previously written for King as a full lineup, this time all the music was performed and written solely by him.
On November 20th of that same year, King Ov Wyrms unleashed the debut album ‘Lord Ov Thornes’ which featured lyrical themes encompassing the occult, and a deep love for Lovecraftian horror.
Now returning in 2023 Sanchez has joined forces with Ricky Williams for an updated version of King Ov Wyrms.
They have turned away from the Old School worship to try making more original style compositions and exploring their musical diversity, which will be showcased on the sophomore album ‘The Womb Ov Borealis’.
For fans of Belphegor, Vader, Morbid Angel, Dark Funeral, Goatwhore