ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY

produced, mixed and mastered by The Popuko

track-list:
The Fallent Lament; Paralytikus Ascends
Warmth of the Womb
Stult Carnality
Facial Gutting (feat. Kiryu Zhang)

Onchocerciasis Esophagogastroduodenoscopy are:
Alice Simard – guitars, drums
Jesse Agiomamitis – vocals
The Popuko – guitars, drums, bass, backing vocals

discography:
2018 – Interspecies Defloration – EP
2019 – Adoration of Decaying Innocence – EP
2021 – The Rotted Plinth of Sachiel – LP
2024 – The Fall Lament – EP

for fans of:
Deathspell Omega
Defeated Sanity
Ulcerate
Disentomb
Enmity

Vox & Hops Metal Podcast:
“It’s brutal as fuck, but it’s also explores the entire bouquet of sick creativity extreme music has to offer. ‘The Fallen Lament’ is fun. It’s violent and it loves to blur boundaries between already scummy, disgusting genres.”
Ever Metal 9/10:
“This EP is definitely for the lovers of the extreme – fans of Deathspell Omega, Defeated Sanity, and Ulcerate will dig the fuck out of this record. So will fans of Dehumanizing Itatrian Worship, whose Kiryu Zhang contributes vocals on the last track of the EP, ‘Facial Gutting’.”
The Razor’s Edge:
“The tracks revolve around blast beats and slams with some truly impressive breakdowns on display. Lyrics are themed around many different influences including mental health issues that have plagued the bands members, anime and video games making for an interesting read. In essence this EP provides a really promising preview of things to come for this band, who have the potential based on this evidence of creating something special…OxE are a different beast, very heavy and extreme but different to most bands of this ilk. The best way to describe them would be like Mortician, but with slam riffs! They have that downtuned bass that trawls the depths of hell with its tone and razor-sharp guitars, frantic programmed drums and some seriously deranged vocals. The tracks are short and sweet, the whole EP only goes on for ten minutes twenty one secs but in that time, you feel so bludgeoned and battered listening to it that it feels much longer, almost like you are succumbing to some exquisite torture!”
The Viking in the Wilderness:
“Primal and brutal variety of dramatic and booming extreme metal.”
89.9 WORT FM – The Moshpit (Madison, WI):
“Brutal gore death grind metal with pig squeally vox”
Broken Tomb:
“It’s been a long time since I heard anything like this mentioned, and the truth is that I haven’t been disappointed. Those from Canada bring us the best formula to execute it. This is based on being as heavy as they are fluid, without giving up the occasional surprise in the form of extra convolutions, which, by the way, fits like a glove. I was extremely grateful that they didn’t focus on composing ultra-heavy and simplistic ‘ruido’ with little direction twist like many others do, reminding us once again that Slam can be rich in nuances within its borders.”
Distorted Sound Mag (2021 – ‘The Rotted Plinth Of Sachiel’):
“Have you ever been sat at home on a quiet evening and thought; ‘you know what would be really good right now? A migraine?’ Well, if the answer to that is yes, then the boys in ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY have got you covered. In this, their twenty-five minute, nine-track offering that is akin to standing in a bucket of water and attaching yourself to a car battery, ‘The Rotted Plinth of Sachiel’ is a full-on assault on your senses that is sure to test the endurance of even the most seasoned veteran of fringe, extreme metal sub-genres…They may come across as a novelty act trying to be extreme for the sake of extremity, but OEGD are here to subjugate you. Give them five minutes, and they’ll bludgeon you into submission. Whether you like it or not is a different matter.”

Jesse Agiomamitis:
“There’s a saying in regards to music ‘Evolve; don’t change’. With every release, we push creative boundaries both in the writing and recording process. We never want to make a drastic change that feels forced and alienating to our day-one supporters, but we strive to evolve in ways that feel natural for the growth of the band; not just musically, but as people, too. We want this album to be something that you can either sit with at home, with a nice pair of headphones, and marvel at the complexity and immensity of the music. And also be able to just switch your brain off and use these songs to push through a workout at the gym. Start-to-finish, the album is dissonant, punishing, and disorientating. Many of the lyrical subjects are larger than life and the songs tell a story of a single entity, a ‘godslayer’, essentially, on a God of War-esque rampage through the universe, all veiled in obscurity. This character and his actions mirror the overall feeling of the album: cold, calculated, and violent.”
The Popuko:
“Musically, the LP is definitely the most experimental OxEx to date. Inbetween the utter carnage of the main instrumentals are layers synths and organic instrumentation that have gone through various level of sonic destruction to give the overall soundscape an alien feel. I was highly inspired by ‘Nithing – Agonal Hymns’ of 2023 and the classic record ‘Dripping – Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss’. For the cover-artwork of the EP, I chose one of my personal illustrations that I thought fit the vibe. ‘The Fallen Lament, Paralytikus Ascends’…I was always kind of fascinated by the concept of a newborn calamity, brought forth by stranger machinations unbeknownst to us. It’s a cosmic horror kinda vibe, and fits well into the concept of the full length album to come.”
Onchocerciasis Esophagogastroduodenoscopy (OxE), a riveting slam from Quebec City, Canada are proud to share the first single ‘The Fallen Lament; Paralytikus Ascends’ from their brutal upcoming EP ‘The Fallen Lament’.
The band comments on the incoming auditory assault:
“The single was one of the first few songs we wrote when recording the new LP, which is why it has a familiar feel to the songs from our ‘Adoration of Decaying Innocence’ EP and ‘Rotted Plinth of Sachiel’ LP. We wanted to couple this track with some of our older songs because it gives the fans something new, literally and metaphorically.”
The band continues to explain that the track has some hallmarks of their evolution going into their latest LP, without showing their entire hand and spoiling the fun.
It’s a blister of a track that they think was naturally a good choice for first on the list.
The EP ‘The Fallen Lament’ combines unnerving, chaotic and apocalyptic sounds with meticulous calculation.
The lyrics are predominantly penned by vocalist Jesse Agiomamitis, who draws inspiration from a myriad of sources, including video games, anime, movies and personal experiences written in a cryptic fashion so that they can imprint in a unique way on each listener.
The band is heavily influenced by the likes of Last Days of Humanity, Disentomb, and Dehumanizing Itatrian Worship, whose Kiryu Zhang does guest vocals on track 4. ‘Facial Gutting’.
OxE was originally a solo project by Alice, who released a split record with a friend before bringing Jesse aboard in early 2019.
OxE members hail from various countries.
Popu is German, Alice is Canadian, and Jesse is Australian.
The Popu has been a fan of the band since the first EP, but has never gotten into contact with Alice or Jesse until two years later, when – by sheer coincidence – Alice and Popu bonded online through the obscure interest of the Danmaku Game ‘Touhou Project’.
Inseparable since then.
When it comes to the artistic and lyrical thematics, OxE is inspired by various forms of media.
“The majority of the lyrics for OxE tracks pertain, in some way, to mental health struggles that I and people around me have dealt with throughout life, but with a cryptic flair to it so as to not make everything too on-the-nose and revealing. It’s a nice way to express inner feelings while keeping matters private. And thankfully due to the nature of our music, the listener can’t really understand what’s being said anyway.”
“We love incorporating ideas from video games (Dark Souls, NieR, etc.), anime (Berserk, Evangelion, Angel’s Egg), and many areas of real world mythology and folklore into our music.”